It's a rare occasion when an album captures me with such force on the first listen and keeps me rapt until the closing note, but this one takes the prize. In fact this is one of the best albums i have ever heard. Rob Nicholls and Galen Rigt...
Grand OnStage presents the acclaimed, JUNO Award-winning band at Kingston Grand Theatre November 10
Unfamiliar Records.
The scene has been hit by the sharp sounds of a new five piece: The Clips. The debut album Matterhorn is made of raw, electric energy mingling among melodies. Lyrically, the album is freeform, created strictly from wh...
Live-show extraordinaire act APEX BREAKS are quickly rising up through the ranks with their unique twist of Psychedelic Jungle Funk. The devoted 10-piece are carving out a lasting career for themselves, and kindly took part in an interview to delve a litt
Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
My great grandmother was a school teacher. She raised five children in small town Alberta. When she reached the point of near exhaustion, she would grab a book and a blanket. Then she’d tell her husband she needed a break and she’d disa...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
Hamilton natives return to the Kingston on Thursday, October 24
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved