http://www.artopenings.ca/karen-kaiser.html
Artist in Attendance:
April 20, 22, 30 and May 4 from 11:00 - 2:00
April 25 and May 9 from 12:00 - 4:00
Wonderful whimsy abounds in Karen Kaiser’s NEW WORKS. Using loose flowing brushwo...
For those unknowing, Bison are Vancouver’s currently-reigning champions of The Riff, trafficking in mercilessly heavy, sludgy, and addictive sonic terror. Think discarded beer cans peppered with shotgun holes, full-size back-patches, pall...
Linda McRae has a special place in our hearts here at Roots Music Canada, and not just because she’s such a great person. Notwithstanding her busy schedule of touring, recording and teaching songwriting workshops, she also was one of the very first peop
Preview:
http://www.artopenings.ca/kaiser--faunt.html
“We weren’t necessarily going for an animal name,” Bison BC co-guitarist/ co-vocalist James Farwell tells me when I ask about the name Bison. “We’d tossed around these Godawful made up words - ‘what looks good in a good metal fo...
On the evening of the band’s record release party at The Red Room, Factory Worker Media met with Unleash the Archers guitarist Grant Truesdell in the building’s old vault to discuss challenges to songwriting, community-building, and navigating the roi
“Fucking Amazing,” says drummer Joshua Wells about Black Mountain’s current North American tour. “This is the best tour I’ve ever been on. It’s been unbelievable at times! We’ve played a few places we’ve never been before…...
Victoria musicians stage tribute to Gord Downie. Proceeds benefit Cool Aid Society and BC Cancer Agency. Interview with Lola Parks. Show organized by James Kasper of Mighty Speck Records.
This exuberant artist brings a life-like presence to luminaries he finds interesting. “I wonder who these people are,” he asks, “how they lived their lives and chose to express themselves.”
http://www.artopenings.ca/dale-roberts.html
Preview:
http://www.artopenings.ca/laundry.html
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr