To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
Dick's On Dicks, Wed.June.18th
With the 2008 Vancouver International Jazz Fest getting under way, the illustrious Commodore Ballroom is pretty well taken for a month or so solid at this time every year. As such, I was not so much surpris...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
Perhaps more so than any other artist of his generation, Beck is a master of mutation, reinventing himself with each tour and album. Recent Beck tours have featured lavish, gimmicky stage shows, including life-size marionettes and kitchen t...
How MISSA afforded an opportunity for a local artist to exhibit her work in New York and the events that flowed from it. Metchosin International Summer School of the Arts (MISSA), local artist MaryLou Wakefield, Master Printmaker Dan Welden, Southampton
Swank sashayed out of Van this summer. How many gigs in how many nights?
6 gigs in 6 sweaty nights! It was like a military operation, but with booze.
Name clubs and the bands that you played with.
The Grateful Fed, Kelowna, The S...
Let me preface this review by saying I’ve known Summer since she was barely out of her teens and coming out to sit in or jam at various venues I was playing at around Victoria BC. I’ve watched her career with great interest and she has ...
Martin Springett's The Gardening Club is cosmic Canadiana at its best, and his story is a CanCon prog rock version of the Searching For Sugar Man saga
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
November 4th, Venue, Vancouver
Strolling down Granville Street to Venue, I couldn’t help but notice the somewhat historic 50-foot “Plaza” sign still hanging outside the newly renovated room. That sign was a beacon of nostalgia...