The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...
White Lung/Crystal Antlers/Fucked Up @ Richard’s on Richards September 7th 2008
The sparse crowd was bewitched by the androgynous shrieking of White Lung’s Mish. As our ears would testify, there may have been no sound check and we we...
Crop Circle may have taken their name from the controversial 70’s phenomenon, but they have also managed to contribute to a more recent enigma: the earworm. Traditionally, this little beastie takes the form of a trite pop song (think Ms. ...
Aztec Releases The Best Indie Rock Album Of The Year With Stitches
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
Gord Downie wasn’t interested in ever becoming a hologram musician.
Nearly Famous Music Festival
Friday, November 14 @ Railway Club
This night had a definite New Wave feel to it. A draft choice of late 70's and early 80's influences was bandied about. Streetlight, a four piece of bass, drums, keyboard...